Study of a dancer by Brassaï

Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer reclining, 1930s. Silver print | src iphoto.central
Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer lying down, 1930s | src cameralabs.org

Caja de visiones circa 1930

Manuel Álvarez-Bravo (1902-2002) ~ Caja de visiones (Box of Visions), 1930s, printed 1977 | src Princeton university art museum
Manuel Álvarez Bravo (1902-2002) ~ Box of Visions (Caja de visiones) ca. 1930 | src Philadelphia museum of art
Manuel Álvarez-Bravo (1902-2002) ~ Caja de visiones (Box of Visions), 1930s, printed 1977 | src WSJ (Wall Street Journal)

Chaja Goldstein by Merkelbach

Atelier Jacob Merkelbach - Chaja Goldstein performing, 1930s
Atelier Jacob Merkelbach :: Danseres en zangeres, gespecialiseerd in het Jiddische lied en dans; scenefoto als Jeshiva student | Dancer and singer specialized in Yiddish song and dance; scene photo as Yeshiva student, 1937. | src Stadtsarchief Amsterdam
Atelier Jacob Merkelbach :: Danseres en zangeres, gespecialiseerd in het Jiddische lied en dans; scenefoto als Jeshiva student | Dancer and singer specialized in Yiddish song and dance; scene photo as Yeshiva student, 1937. | src Stadsarchief Amsterdam
Atelier Jacob Merkelbach :: Portrait of Chaja Rachul Goldstein (1908-1999), after 1933. | src Stadtsarchief · Collectie Atelier J. Merkelbach
Atelier Jacob Merkelbach :: Portrait of Chaja Rachul Goldstein (1908-1999), after 1933. | src Stadsarchief · Collectie Atelier J. Merkelbach

Chaja Goldstein was born in a Polish ghetto, in the town of Rypin in 1908. […] When she was ten years old, Chaja moved to Berlin with her Orthodox parents, brother Eli and baby sister Sally, fleeing the pogroms in Eastern Europe.

She made her debut in Berlin in 1931 as Hanna Goldstein with dances such as Der reiche und der arme Jude and the Hebräische Lied. The Berliner Tageblatt praised her performances. Shortly afterwards she also performed in the Kaftan, a small Jewish theater on Kurfürstendamm, where she sang Yiddish songs. Over the next few years Goldstein grew into a famous dancer and singer, connecting the Yiddish folk culture of her childhood with modern Western culture. She soon led a lavish life in Berlin’s artistic avant-garde circles. She lived with the Hungarian painter György Kepes (1906-2001) and had a love affair with the Dutch artist Wijnand Grays (1906-1995).

In 1933, Chaja Goldstein fled to the Netherlands as a result of the rise of the Nazi party. In April 1933 she appeared for the first time under the name ‘Chaja Goldstein’ on the stage of the Amsterdam Conservatory and the Rotterdam Studio 32, with her Yiddish dances and songs. [quoted from Huygens Instituut]

Solarization Nude, 1933-1934

Wally Elenbaas :: Solarization Nude, 1933-34, from ‘The Collection Illuminated by Jan Cremer’.
For the fourth in its successful exhibition series, the Nederlands Fotomuseum has invited writer, artist and photographer Jan Cremer to guest-curate an exhibition of his personal choice of images from the museum’s rich and varied collection. The image above is one of them. | src nederlands-fotomuseum