Nude of women’s legs and feet by noteworthy New York photographer, H.R. Cremer. Photo likely date to the 1920s or 1930s, when he was active. The model applies “Mystic Cream”, suggesting the photograph was possibly a study for an advertisement. | src eBay
Atelier Universal :: tanssija Taina Helve oli Maggie Gripenbergin oppilaita, joka 1920-luvulla alkoi pitää omia tanssimatineoitaan Helsingissä, 1920-luku. | Dancer Taina Helve was a student of Maggie Gripenberg, who in the 1920s began to hold her own dance matinees in Helsinki, 1920s. | src FHA – Museovirasto
Atelier Apollo:: Maggie Gripenberg ja Onni Gabriel tanssikohtauksessa 1920-luvun alku. | Maggie Gripenberg and Onni Gabriel in a dance scene in the early 1920s. Apollo blind-stamp on left bottom. | src FHA – Museovirasto
(left) Alice (Frances Griffiths) and Leaping Fairy, Cottingley Beck, West Yorkshire, August 1920. | src SSPL – Getty Images (right) The ‘real’ photograph of fairies and elves, taken by Frances Griffiths. Sprites from the fairy kingdom pose amongst the grasses by Cottingley Beck, Yorkshire, UK, Aug. 1920. | src SSPL-Getty Images
Fairy Offering Flowers to Iris, August 1920. A photograph of Elsie ‘Iris’ Wright taken by Frances ‘Alice’ Griffiths. | src FlickrFairy Offering Flowers to Iris, August 1920. A photograph of Elsie ‘Iris’ Wright taken by Frances ‘Alice’ Griffiths. A fairy stands on a tree branch offering Elsie a small bunch of flowers. After the first two fairy photographs had appeared, ‘experts’ demanded further proof. Edward Gardner – a leading Theosophist fascinated by fairies who had authenticated the earlier photographs – traveled to see the cousins. Gardner gave Elsie and Frances two new cameras, with secretly marked photographic plates to detect any tampering. He asked them to take more fairy photographs – of which this was one. | src SSPL – Getty Images via Flickr