Claude Cahun Cat 1925-1940

Claude Cahun (Lucy Schwob) :: Chat à la vasque, 1925 - 1930. Vintage silver print on Velox paper. | src Sotheby's
Claude Cahun (Lucy Schwob) :: Chat à la vasque, 1925 – 1930. Vintage silver print on Velox paper. | src Sotheby’s
Claude Cahun (Lucy Schwob) :: Chat à la cloche, 1925 - 1930. Vintage silver print on Velox paper. | src Sotheby's
Claude Cahun (Lucy Schwob) :: Chat à la cloche, 1925 – 1930. Vintage silver print on Velox paper. | src Sotheby’s
Claude Cahun (Lucy Schwob) :: La chambre du chat. Gelatin silver print signed, titled, and dated 1940 in ink on the reverse. | src Sotheby's
Claude Cahun (Lucy Schwob) :: La chambre du chat. Gelatin silver print signed, titled, and dated 1940 in ink on the reverse. | src Sotheby’s

Anaglyph of the moon, 1923

Leon Gimpel :: Anaglyph vom Mond, 1923. Handkolorierte Silbergelatine-Glasplatte. | src Kunstmuseum Basel
León Gimpel :: Anaglyph of the moon, 1923. Hand-colored silver gelatin glass plate. | src Kunstmuseum Basel

There are many different ways of creating and viewing stereoscopic 3D images but they all rely on independently presenting different images to the left and right eye.

León Gimpel :: Anaglyph of the moon, 1923. Hand-colored silver gelatin glass plate. | src Kunstmuseum Basel

Anaglyphs are a straightforward way of presenting stereo pair images is the stereoscopic 3D effect achieved by means of encoding each eye’s image using filters of different (usually chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the “color-coded” “anaglyph glasses”, each of the two images reaches the eye it’s intended for, revealing an integrated stereoscopic image. The visual cortex of the brain fuses this into the perception of a three-dimensional scene or composition.

There are three types of anaglyph glasses in common use: red-blue, red-cyan, and red-green.

Leon Gimpel :: Anaglyph vom Mond, 1923. Handkolorierte Silbergelatine-Glasplatte. | src Kunstmuseum Basel
Leon Gimpel :: Anaglyph vom Mond, 1923. Handkolorierte Silbergelatine-Glasplatte. | src Kunstmuseum Basel

Lily Steiner by André Steiner

aka Oeil de femme, eye of a woman (Lily Steiner) (?)
André Steiner :: Untitled, 1934. Vintage gelatin silver print. | src Gitterman Gallery
André Steiner :: Untitled, 1934. Vintage gelatin silver print. | src Gitterman Gallery
Andor Steiner :: Lily, Paris, 1928. Tirage argentique.
André Steiner [Andor Steiner] :: Lily, Paris, 1928. Tirage argentique. | src Binoche et Giquello
André Steiner :: Leica, Hongrie, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Leica, Hongrie, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Sans titre, Saint-Moritz, 1935. Tirage argentique. | src Binoche et Giquello
André Steiner :: Sans titre, Saint-Moritz, 1935. Tirage argentique. | src Binoche et Giquello

Portrait by Florestine Perrault

Florestine Perrault Collins :: Portrait of Mae Fuller Keller, gelatin silver print, early 1920s. From: The New Woman Behind the Camera (2021) at The Met
Florestine Perrault Collins :: Portrait of Mae Fuller Keller, gelatin silver print, early 1920s. From: The New Woman Behind the Camera (2021). | src The Brooklyn Rail
Florestine Perrault Collins :: Portrait of Mae Fuller Keller, early 1920s. From: The New Woman Behind the Camera (2021) at The Metropolitan Museum of Art
Florestine Perrault Collins :: Portrait of Mae Fuller Keller, early 1920s. From: The New Woman Behind the Camera (2021). | src The Met

Autumn · The Larsen Dancers

american pictorialism
Clarence Hudson White (1871–1925) ~ Larsen Dancers [11/11], ca. 1923 – 1924. Platinum print. | Princeton University Art Museum
Clarence Hudson White (1871–1925) ~ Larsen Dancers [4/11], ca. 1923 – 1924. Platinum print. | Princeton University Art Museum
Clarence Hudson White :: Autumn, the Larsen Dancers, 1924. Palladium print. | src MoMA
Clarence Hudson White (1871–1925) ~ Autumn, the Larsen Dancers, 1924. Palladium print. | src MoMA
Clarence Hudson White (1871–1925) ~ Larsen Dancers [2/11], ca. 1923 – 1924. Platinum print. | Princeton University Art Museum

Nude study by Nickolas Muray

Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study 
Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study.
Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study 
Nickolas Muray :: Nude Study, 1925. Gelatin silver print. Original nude photograph, hand signed, dated 1925 and titled Study by Nickolas Muray. Stamped on the back Photo by Nickolas Muray, 38 East 50th St., N.Y.C. [full image] | src David Pollack vintage posters