

images that haunt us





Caption reads : Laurent Novikoff / A vivid personality lends much to the interpretative quality of his subtle art





Caption reads : Roshanara / The gifted British dancer whose work vibrates with the mysticism and color of India and Burma

Caption reads : Roshanara / A new camera study of the brilliant young interpreter of native Burmese and Indian dances





Tina Modotti :: Donna che porta acqua | Woman Carrying Water, Mexico, 1928 | src amici della fotografia



In 1920 Edward Weston began a series of pictures of Betty Katz (later Brandner, 1865-1982), who was introduced to Weston by his colleague Margrethe Mather (1886-1952). Weston and Brandner engaged in a brief affair in October 1920, when he made this and several other images of her in her attic and out on a balcony. With its soft focus, these particular portraits are Pictorialist in style compared to the more experimental images Weston made of Katz (Brandner) that are Modernist in their self-conscious handling of space and form.
Text adapted from Brett Abbott. Edward Weston, In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2005), 20. (quoted from Getty Museum)




(*) Note: not orchids but irises; vase with irises. Unless they were a variety of orchids that look very much like irises. If anybody happen to have the knowledge to disambiguate, please drop a line below. Thank you!

“Le sujet le plus banal, quelques fleurs dans un vase par exemple, devient nouveau par la façon dont les lumières y sont groupées et par l’extrème variété des valeurs. (…) Pour donner plus de richesse à ses compositions, l’auteur [Laure Albin Guillot] les a tirées sur fond or selon un procédé dont elle a le brevet.”
Jean Gallotti, ‘La photographie est-elle un art? Laure Albin-Guyot [sic!]’, dans L’art vivant, No. 99, 1er février 1929, p. 138. [Quoted from Sotheby’s]