Maskerade, carnaval. Uit het maskerade-ballet ‘Sand und Wind’ door kunstenaarspaar Anna Wilström en Helmut Lotz, 1924. | src Het Leven via Nationaal Archief
Nickolas Muray (1892–1965) :: Nude study of Martha Laber, 1925. | src OstLicht 21th Photo AuctionNickolas Muray (1892–1965) :: Nude study of Martha Laber, 1925. Photographer’s blindstamp in the image lower left, signed and dated by the photographer in pencil on the original passepartout. | src OstLicht 21th Photo Auction
Buster Keaton. German postcard by Ross Verlag, no. 4704/1, 1929-1930. Photo: MGM. Publicity still for The Hollywood Revue of 1929 (Charles Reisner, 1929) with Keaton as Princess Raja. This performance must have been inspired by the Egyptian dance in The Cook (Roscoe ‘Fatty’ Arbuckle, 1918). | src Flickr
Photobooth. Emmy Hennings and Francisca Stoecklin. Descr.: [recto:] I find the pictures strange. Franzisca thinks I look so much like her and I can’t quite find it. ca. 1914-1920. | src Schweizerisches Literaturarchiv (SLA)
Photomaton / photobooth. Emmy Hennings und Francisca Stoecklin. Beschr.: [verso:] Emy als Dr. Lang. ca. 1914-1920. [Emmy as Dr. Lang]| src Schweizerisches Literaturarchiv (SLA)
Photobooth. Emmy Hennings, half-length portrait [left half of a photograph with Emmy Hennings and Francisca Stoecklin. The photograph was cut vertically]. ca. 1914-1920 | src Schweizerisches Literaturarchiv (SLA)
Alexander Danilovich Grinberg :: Dancer Maria Sandy, Vera Maya studio. From a series of scenic studies ‘Dances of nations of the world’, Moscow, Russia, the end 1920s. | src Aleksandr Grinberg – Foto Soyuz via Getty Images