Otton Engel’s :: Pierrot, 1925. Crayons on paper. Signed and dated: “Engel’s 1925”. Catalogue of the first “Art of Movement” exhibition, 1925, Nos. 208-09. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
N. Vysheslavtsev :: Nude from behind, 1923. Ink on paper. Signed and dated: “To dear Aleksei Sidorov, N. N. Vysheslavtsev, 1923”. GTG: Gosudarstvennaia Tret’iakovskaia galereia, State Tretiakov Gallery (formerly in the collection of Aleksei Sidorov). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Otton Engel’s :: A. Rumnev in one of L. Lukin’s choreographies, 1923. Pencil on paper. Inscribed and dated: “Chamber Theatre, Thursday, 7.30, 12/VI/1923”. Catalogue of the first “Art of Movement” exhibition, 1925, Nº 197. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Hess Studio, Frankfurt :: A. Rumnev. Plastic study, 1923. Original print. Signed and dated on mount: “Hess, Frankfurt 1923”. Choreography by L. Lukin. Tournée of the Moscow Chamber Theatre, 1923. The reverse of an analogous print in the Lukin archive at GTsTMB carries the inscription: “To dear Lev Lukin with faith in his inimitable talent, 1923, A. Rumnev”. RGALI [Rossiiskii gosudarstvennyi arkhiv literatury i iskusstva (Russian State Archive of Literature and Art, Moscow)] source Nicoletta Misler’s The Russian Art of Movement 1920-1930
Ilse Lorm and Josef Peterhans in Irrlichter der Tiefe (aka Desolation of the Deep, Austria, Fritz Freisler, 1923). From the Taussig film stills collection at NFSA
Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement
AtelierK. Kolliner (Wien) :: Mira Cirul (sic) in Rustic Dance, 1925. Music by N. Medtner and costumes by G. Kirsta. Artist’s original print. Collection of Pavel Khoroshilov, Moscow. Second “Art of Movement” exhibition, 1926. | src Nicoletta Misler