Molly Lake by Anton Sahm

Anton Sahm ~ The dancer Molly Lake, ca. 1928 | src getty images
Anton Sahm ~ Bacchantin (Molly Lake). Scherl’s Magazin B.4 H.2 Februar 1928

Tanzmasken von Lavinia Schulz

Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Technik von Lavinia Schulz, Hamburg, 1924 | src MK&G
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Technik von Lavinia Schulz, Hamburg, 1924 | src MK&G
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Technik von Lavinia Schulz, Hamburg, 1924 | src MK&G
Ankündigung eines Tanzabends in Form einer Postkarte (Lavinia Schulz), 11. Oktober 1922
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Springvieh von Lavinia Schulz, Hamburg, 1924 | src MK&G
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Springvieh von Lavinia Schulz, Hamburg, 1924 | src MK&G
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Skirnir von Lavinia Schulz, Hamburg, 1924 | src MK&G
Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Skirnir von Lavinia Schulz, Hamburg, 1924 | src MK&G

laviniaschulz by Thomas Ruff

Thomas Ruff ~ neg◊laviniaschulz_07, 2021, c-print. Work from the series of Negative | src Mai 36 Galerie

The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s.
The starting point of the series are photographs of the 19th and 20th century (by Minya Diez-Dührkoop), which have a typical brown patina and whose motifs cover the entire range of historical photography. When these photographs are inverted (reversing the positive into the negative), a high-contrast blue tone emerges, and the compositional design comes to the fore. Thus, the negative, the actual ‘original’ of a photograph, which threatens to disappear completely due to the triumph of digital photography, becomes the object of contemplation.

text adapted from source : Mai 36 Galerie

Thomas Ruff ~ neg◊laviniaschulz_16, 2021, c-print. Work from the series of Negative | src Mai 36 Galerie
Thomas Ruff ~ neg◊laviniaschulz_14, 2021, c-print. Work from the series of Negative | src Mai 36 Galerie

Ery Bos von Lili Baruch

Die Tänzerin Ery Bos by Atelier Baruch (Berlin), ca. 1926. From: Die schöne Frau Nr. 2, 1926
Die schöne Frau Nr. 2, 1926 | src ÖNB
Die Bühne, Heft 222, 1929. Ery Bos (foto: Atelier Baruch, Berlin)
Die Bühne, Heft 222, 1929 | src ÖNB

Baker in color by Lipnitzki 1926

Boris Lipnitzki ~ Josephine Baker (1906-1975), May 1926. Colourized photo. Detail | src getty images
Boris Lipnitzki ~ Josephine Baker. From a sitting in the studio of Paul Colin. Paris, May 1926. Colorized photo | src getty images

Marion Morgan dancers by Genthe

Arnold Genthe (1869-1942) ~ Marion Morgan dancers, 1914-1927. Nitrate negative (detail)
Arnold Genthe (1869-1942) ~ Marion Morgan dancers, 1914-1927. Nitrate negative | src Library of Congress
Arnold Genthe (1869-1942) ~ Marion Morgan dancers [from out of the shadows], 1920s | src david pollack

Ex-libris

Exlibris / weiter kampfen / Judith Bloem zu Eigen | src Schneider-Henn (link to pdf)
W. Heinrichsdorf ~ Exlibris, Motivsammlung: Die Schlange | src Schneider-Henn (link to pdf)
Exlibris / emilhtitz | src Schneider-Henn (link to pdf)
Ex-libris / Karl Sievert | src Schneider-Henn (link to pdf)