Arthur F. Kales :: At the Kiddies Ball, about 1925. Gelatin silver print. Verso: inscribed in blue fountain pen ink, at lower center edge: “INEZ STRYKER IN FOREGROUND (LATER MRS. KALES)”. | src The J. Paul Getty Museum
Anna Petrovna Fesak, known as Anna Sten. Ross Verlag postcard nº 6113/2. (UFA) Anna Sten. Hänsom Filmbilder. Ross Verlag. Serie 4, nº 569. (UFA) | src Virtual History
Cadavre Exquis [André Breton, Max Morise, Jeannette Ducrocq Tanguy, Pierre Naville, Benjamin Péret, Yves Tanguy, Jacques Prévert] :: Figure, 1928. Collaborative collage made stacking found printed images of mundane objects (*) in an anthropomorphic figure. | src MoMA (*) The presence of the umbrella recalls a phrase the Surrealists adopted from the poet Comte de Lautréamont (born Isidore Ducasse) as an ideal description of the principle of juxtaposition: “As beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.” [quoted from source]
Carina Ari (*) i Sous-marine, foto: Studio G.L. Manuel Frères, Paris, 1925. | src Dansmuseet arkiv on IGCarina Ari (*) i Sous-marine, foto: Studio G.L. Manuel Frères, Paris, 1925. | src Dansmuseet arkiv on IG (*) Maria Karina Viktoria Jansson (Stockholm, 1897 – Buenos Aires, 1970)