Category: 1910s

Nickolas Muray and Ilona Fulop

Nickolas Muray and Ilona Fulop, 1910s. Date range based on Muray’s approximate age in photo. Photo shows Muray with his head on Fulop’s shoulder, looking up at her and grinning, and Fulop wearing a crown of daisies. | src Archives of American Art, Smithsonian Institution

Grit Hegesa by Riess ca. 1920

Frieda Gertrud Rieß ~ Grit Hegesa in the role of Harlequin, late 1910s | src getty images
Grit Hegesa. German postcard by Ross Verlag, no. 363/1, 1919-1924. Photo: Frieda Riess | src flickr
Frieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum
Grit Hegesa. German postcard by Ross Verlag, no. 363/1, ca. 1920. Photo: Frieda Riess | src alamy
Frieda Gertrud Riess :: Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum
Frieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum

Grieving women (Orpheus)

Sörjande kvinnor, Orfeus akt 1, foto ur Anna Behles samling, foto: okänd. | Grieving women, Orpheus act 1, photo from Anna Behle's collection, photographer unknown. | src Dansmuseet on IG
Sörjande kvinnor, Orfeus akt 1, foto ur Anna Behles samling, foto: okänd. | Grieving women, Orpheus act 1, photo from Anna Behle’s collection, photographer unknown. | src Dansmuseet on IG
Sörjande kvinnor, Orfeus akt 1, foto ur Anna Behles samling, foto: okänd. | Grieving women, Orpheus act 1, photo from Anna Behle's collection, photographer unknown. | src Dasmuseet on IG
Sörjande kvinnor, Orfeus akt 1, foto ur Anna Behles samling, foto: okänd. | Grieving women, Orpheus act 1, photo from Anna Behle’s collection, photographer unknown. | src Dasmuseet on IG

Jean Börlin, ca. 1919

Jean Börlin i okänd komposition, foto: Atelier Moderne, Köpenhamn, ca. 1919. | Jean Börlin in unknown composition, photo: Atelier Moderne, Copenhagen, ca. 1919. | src dansmuseet on IG
Jean Börlin i okänd komposition, foto: Atelier Moderne, Köpenhamn, ca. 1919. | Jean Börlin in unknown composition, photo: Atelier Moderne, Copenhagen, ca. 1919. | src Dansmuseet on IG
Jean Börlin, foto: okänd. | src Dansmuseet • IG
Jean Börlin, foto: okänd. | src Dansmuseet • IG

La serpiente: Tórtola Valencia

La serpiente. Tórtola Valencia, 1915. Cartell de grans dimensions per a la Danza de la serpiente de Tórtola Valencia. Dansa. Dance. Segle XX. Dansa de la serp. (signatura: A. Roger) | src Fons Tórtola Valencia (cdmae)

Tórtola Valencia a La Barceloneta

Tórtola Valencia a la platja de La Barceloneta de Barcelona, 1915. La ballarina en una seqüència de dansa a la platja de La Barceloneta de Barcelona davant la mirada dels altres banyistes. Dansa. Segle XX. | src Fons Tórtola Valencia a L’Institut del Teatre
Carmen Tórtola Valencia a la platja de La Barceloneta de Barcelona, 1915. | src Fons Tórtola Valencia a L’Institut del Teatre
Carmen Tórtola Valencia a la platja de La Barceloneta de Barcelona, 1915. | src Fons Tórtola Valencia a L’Institut del Teatre
Carmen Tórtola Valencia a la platja de La Barceloneta de Barcelona, 1915. | src Fons Tórtola Valencia a L’Institut del Teatre
Carmen Tórtola Valencia a la platja de La Barceloneta de Barcelona, 1915. | src Fons Tórtola Valencia a L’Institut del Teatre

Christina O’Gorman, 1912-1913

Mervyn O’Gorman :: Portrait of Christina wearing a red cloak, 1913. Lumière Autochrome. | src The Dawn of Colour: Science and Media Museum
Mervyn O’Gorman :: Christina on the Beach, July 13th, 1913. An evocative portrait taken on the beach at Lulworth Cove. Christina’s choice of swimming costume was a fortuitous one since red was a colour which the autochrome process captured particularly well. | src Science and Media Museum Blog
A red beach dress. Dreamlike snaps of a young woman in red posing at Lulworth Cove, Dorset, in 1913 have now been revealed as some of the earliest surviving colour photographs. Autochrome. | src CNN
Mervyn O’Gorman :: Christina on the Beach, 1913. The comparatively long exposure time has given the sea a glassy quality and the large aperture setting and narrow depth of field has put Durdle Door, in the background, into soft focus. | src Science and Media Museum Blog
Mervyn O’Gorman :: Christina in a red beach dress at Lulworth Cove, Dorset, in 1913. Autochrome. | src CNN via Flickr
Mervyn O’Gorman :: Christina in a garden surrounded by foliage and flowers, April 17th, 1912. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: A portrait of Christina, gazing thoughtfully into an ornamental pond. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman with Chinese Wisteria, ca. 1912. Autochrome. (detail of the photograph below) | src CNN
Mervyn O’Gorman :: Christina O’Gorman (standing) in the garden leaning on wall with what seems to be a Chinese Wisteria, ca. 1912. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman in the garden leaning on wall with what seems to be a Wisteria sinensis, ca. 1912. Lumière Autochrome. | src Flickr

Portrait of Wiles, ca. 1910

Half length portrait of Wiles, ca. 1910. Identification on verso (handwritten): Gladys Wiles. | src Richard Field Maynard papers, 1895-1979. Archives of American Art, Smithsonian Institution