Clara Sipprell (1885-1975) ~ [Clara in a derby], ca. 1910. Additive color screen plate. | Amon Carter Museum P1984.1.698Clara Sipprell (1885-1975) ~ [Clara with a rose]; ca. 1910. Additive color screen plate (Autochrome). | Amon Carter MuseumClara Sipprell (1885-1975) ~ [Clara in hat and fur coat], ca. 1910 , ca. 1910. Autochrome. | Amon Carter Museum P1984.1.696Clara Sipprell (1885-1975) ~ [Clara in middy blouse leaning against tree], ca. 1910. Additive color screen plate. | Amon Carter MuseumClara Sipprell (1885-1975) ~ [Clara in middy blouse leaning against tree], ca. 1910. Autochrome. | Amon Carter Museum P1984.1.697
Heinrich Vogeler :: Träume II (auch ,Frühling‘ oder ,Erwartung‘) | Dream II (also Spring or Contemplation), 1912. Monogrammed, inscribed and dated lower right in the coat of arms: HV W 1912. Signed and titled on the stretcher on the right: H Vogeler. Frühling. Oil on canvas. | src Grisebach · Ausgewählte Werke, 10. Juni 2021
John Cimon Warburg :: Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer’s daughter, shown three-quarter length, standing in front of red wall paper. | src V&A MuseumJohn Cimon Warburg :: Marsh Marigolds, ca. 1910. Autochrome. | src V&A MuseumJohn Cimon Warburg :: ‘The Sunny Doorway’, ca. 1909, autochrome. | src V&A MuseumJohn Cimon Warburg :: ‘Peggy by the Orange Tree’, Autochrome, 1909. Photograph of a full length portrait of Warburg’s daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A MuseumJohn Cimon Warburg :: ‘Joan in Red Riding Hood Cape with Basket’, autochrome, 6 November 1907. | src V&A Museum Photograph of a near full length potrait of Warburg’s daughter Joan dressed in a Red Riding Hood cape. She stands beside a bush of white daisies. Warburg has annotated the plate with details regarding how the photograph was made.
Nina Payne (holding a mask) in costume for the Nelson revue “Confetti”, by Studio Manassé (1910s) | src liveinternet.ruNina Payne In costume for the Nelson revue “Confetti”, by Hill, ca. 1916 | src HZGDancer Nina Payne with a dance mask in the Nelson revue “Confetti”, Nelson Theater Berlin, 1925. Photo: Atelier Binder 1925 (Photo by Atelier Binder) | src Getty ImagesTänzerin Nina Payne (USA) in einer interessanten Tanzmaske in der Nelson-Revue “Confetti”, Nelson Theater Berlinerschienen Nr. 42/1925. Foto: Atelier Binder | src Getty ImagesAtelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928Atelier Manassé :: Nina Payne die amerikanische Tanz-Akrobatin in einem ägyptischen Maskentanz. Revue des Monats B.2, H.8, Juni 1928
Ребикова, Александра Васильевна. Молоко в спектакле «Синяя птица». | Russian actress Alexandra Vasilievna Rebikova as Milk in the play «The Blue Bird» in costume designed by Vladimir Egorov (?) for Konstanin Stanislavski’s production of Maurice Maeterlinck’s «Oiseau Bleu» at the Moscow Art Theatre, 1908. | src academia.ru Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908.Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908. [Full scan of programme]Portrait of Alexandra Vasilievna Rebikova. | src academia.ru
In 1915, Alexandra Rebikova began to star in the movies of the film company “A. Khanzhonkov and Co.” [Торгового дома «А. Ханжонков и К°] and very soon became one of the leading silent film actresses.
Alexandra Rebikova with Oleg Frelyh (Frelikh) in 1917 in the film «The Clay God» («Глиняный бог», a silent film by Nikolai Larin, 1918)Alexandra Rebikova with Gregory Khmara (Chmara) in the film «Symphony of Sorrow» («Симфония горя», 1918) | src academia.ru
Jules Antoine (1863-1948) :: Groupe d’enfants avec une nourrice devant un filet de tennis, raquettes à la main. Positif couleur transparent; Support verre; Procédé Autochrome, 1905-1912. | src Les Fonds de la MAPJules Antoine (1863-1948) :: Groupe devant une cabine de plage, Marthe Antoine en arrière-plan, le second mari de Marie-Louise Roussel-Bruyère à gauche, 1905-1912. | src Les Fonds de la MAPJules Antoine (1863-1948) :: Groupe assis sur une dune : Marthe Antoine à droite, Jean Antoine à gauche, un petit garçon au centre entre deux femmes, 1905-1912. | src Les Fonds de la MAPJules Antoine (1863-1948) :: Groupe portrait. Marthe et Jean Antoine avec leurs cousins devant une cabine de plage. Positif couleur transparent; Support verre; Procédé Autochrome. 1905-1912. | src Les Fonds de la MAP