Charles Corbet · still-lifes

Charles Corbet :: Study of roses, ca. 1910. Autochrome. | src Belgian Autochromists
Charles Corbet :: Still life with carnations and poppies, ca. 1910. Autochrome. | src Belgian Autochromists
Charles Corbet :: Melancholia, ca. 1910. Autochrome. | src Belgian Autochromists
Charles Corbet :: Still life with decanter and hat, ca. 1910. Autochrome. | src Belgian Autochromists
Charles Corbet :: Greenhouse with purple flowers, ca. 1910. Autochrome. | src Belgian Autochromists

Storyville portraits · E.J. Bellocq

E.J. Bellocq (1873-1949) ~ [Storyville Portrait], New Orleans, 1911-1913. Gold toned printing out paper, printed 1973 by Lee Friedlander | src Bonhams

Ernest Joseph Bellocq was a native New Orleans French Creole photographer, whose Storyville portraits captured the vibrant scene in Storyville, the city’s red-light district, circa 1912. The glass plate negatives were not discovered until after his death in 1949, which is why so many of the images are cracked, scratched, and damaged. It is said that some of the damages were deliberately inflicted by Bellocq while the emulsion was still wet, in order to protect the identity of the sex workers.

Ernest Joseph Bellocq (1873-1949) ~ [Storyville Portrait], New Orleans, 1911-1913 | src Swann & the photographers’ gallery

A lifelong resident of New Orleans, Ernest J. Bellocq was a commercial photographer who undertook a personal quest to photograph the prostitutes of Storyville. In these frank and intimate photographs, women are not portrayed as prey to the camera’s gaze, but rather seem to participate willingly and confidently in the photographic act. Rumored to be eccentric and reserved, Bellocq told only a handful of acquaintances about these portraits, which primarily date from 1912 (the negatives were later discovered and printed by photographer Lee Friedlander). This photograph of Bellocq’s desk, therefore, provides an unusual glimpse into his mysterious personality and life. The cluttered arrangement of images of women, juxtaposed with floral wallpaper and languidly posing marble figurines, coheres into a dotingly composed shrine to femininity, hinting at the artist’s admiration for women. | text: AIC

Ernest Joseph Bellocq (1873-1949) ~ Storyville Portraits, ca. 1912. Gelatin silver printing out paper print | src AIC

Valeska Gert, 1918

Atelier Leopold :: Valeska Gert, 1918. German card (Munich). Collection: Didier Hanson. | src Flickr
“Jewish cabaret artist Waleska Gert (1892-1978) and her dark, aquiline features became famous in Berlin with her radical modern dances. She was also active as an artists’ model and appeared in several classics of the Weimar cinema. After a comeback in Fellini’s Giulietta degli spiriti / Juliet of the Spirits (1965), she worked with the film makers of the New German Cinema of the 1970s.” (quoted from source)

Dryads, 1913 by Anne Brigman

Anne W. Brigman :: Dryads, 1913. Photogravure on thin off-white wove paper. Camera Work: A Photographic Quarterly, Volume 44 (1913) | src Harvard Art Museums
Anne W. Brigman :: Dryads, 1913. Photogravure on thin off-white wove paper. Camera Work: A Photographic Quarterly, Volume 44 (1913) | src Harvard Art Museums
Annie W. Brigman :: Dryads, 1913. Camera Work: A Photographic Quarterly, Heft 44 (1913)
Annie W. Brigman :: Dryads, 1913. Camera Work: A Photographic Quarterly, Heft 44 (1913)

Cavorting by the Pool, 1916

lady cavendish / ottoline morrell / cavorting / garsington / 1916
Lady Ottoline Morrell / Lady Cavendish :: Cavorting by the Pool at Garsington, ca. 1916. Gelatin silver print. | src The Met # 283250
Lady Ottoline Violet Anne Cavendish-Bentinck Morrell :: Cavorting by the Pool at Garsington, ca. 1916. Gelatin silver print. | src The Met # 291058

Dutch mills amidst the flood

Een molen in het overstroomde land bij Durgerdam, Nederland, 1911 | A mill amidst flood near Durgerdam, Netherlands, 1911. Spaarnestad Photo | src Het Geheugen (Nationaal Archief)
Dutch mill facing the flood, Grouw, the Netherlands, 1926. Spaarnestad Photo | src Nationaal Archief

 

Cats typewriting ca. 1910

I’m Too Tired to Write, 1911 [vintage postcard © B.J. (511)] / src fine art america
Mentor typewriter and cat, ca. 1910 (’Tippfräulein’ written on top of the photograph) | src retro-vintage-photo
Mentor typewriter and furry cat, ca. 1910 (’Tippfräulein’) | src VanScribed
I’m Too Tired to Write, 1911 [vintage postcard © B.J. (511)] / src blogspot
AI generated image from the info provided in this post

 

Constance Stewart-Richardson

White Studio ~ Lady Constance Stewart-Richardson, 1913. Glass negative. Bain News Service | src Library of Congress
White Studio ~ Lady Constance Stewart-Richardson, 1913. Glass negative. Bain News Service | src Library of Congress