Nijinsky in ‘Le dieu bleu’, 1912

Vaslav Nijinsky dans Le Dieu bleu [photographie de Waléry (1866-1935)], 1912. | src BnF ~ National Library of France
Vaslav Nijinsky dans Le Dieu bleu [photographie de Waléry (1866-1935)], 1912. | src BnF ~ National Library of France
Vaslav Nijinsky dans Le Dieu bleu [photographie de Waléry (1866-1935)], 1912. | src BnF ~ National Library of France
Vaslav Nijinsky dans Le Dieu bleu [photographie de Waléry (1866-1935)], 1912. | src BnF ~ National Library of France

Le Dieu bleu :: Légende hindoue en 1 acte, chorégraphie de Michel Fokine. Paris : Théâtre du Châtelet, 13-05-1912. Photographe présumé: Waléry (1866-1935).

Violet Morene and Yvonne Fitzroy

Violet Morene and Yvonne Fitzroy by Bassano Ltd., 5 August 1910. Whole-plate glass negative | src NPG
Violet Morene and Yvonne Fitzroy by Bassano Ltd., 5 August 1910. Whole-plate glass negative | src NPG

Rose Dolores, Vogue, 1919

Baron Adolph de Meyer ~ “Pearls and Tulle Spin Bridal Witcheries”, published in Vogue, April 15, 1919, p. 44. [Baron Adolph de Meyer, photographer and designer; Dolores (Kathleen Mary Rose), model] | src Vogue & ICP
Adolf de Meyer ~ Dolores (Kathleen Rose; in profile; with a crystal ball) wearing a wedding dress, ca. 1919 | src Sotheby’s (2011)

A Marion Morgan dancer

Arnold Genthe ~ Marion Morgan dancer, portrait, 1914-27. Glass negative | src Library of Congress ~ Genthe collection
Arnold Genthe (1869-1942) ~ Marion Morgan dancer, portrait photograph, 1914-27. Glass negative | src Library of Congress
She looks very much like Dulcie Moore, view image below
Arnold Genthe (1869-1942) ~ Miss Dulcie Moore, portrait photograph, between 1916-1918. Glass negative | src Library of Congress

Admiring a print, ca. 1910

Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum
Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum

The image shows a woman in full length, wearing a long dress and standing at a table in profile against a blank pale wall, holding the edges of a print which is resting on the table. Bright light from a window in the top left of the photograph lights the front of the woman and the tabletop.

This is an example of the bromoil process invented around 1907, in which a bleached image is re-developed with pigment applied with brushes. ‘Pictorialist’ photographers favoured its broad tonal effects and diffuse detail. The print being ‘admired’ in the image is likely to have been a finely crafted photograph much like this one. [Gallery 100, ‘History of photography’, 2012-2013]

quoted from V&A Museum

vintage smokers in 1910s

Portrait de femme fumant une cigarette, France, vers 1910. | Portrait of a woman smoking a cigarette, France, ca. 1910 | src galerie lumière des roses ~ Les beaux chapeaux
English actress Gertie Millar, ca. 1906. (Photo by Paul Popper / Popperfoto) | src getty images