Eduard Jean Steichen :: Portraits ~ Evening, photogravure. Published in Camera Work Special Supplement (Steichen Supplement), 1906. | src and hi-res Heidelberg University and Universität Zürich
Eduard Jean Steichen :: Duse, photogravure (1903). Published in Camera Work Special Supplement (Steichen Supplement), 1906. | src Heidelberg University and Universität Zürich
Eduard Jean Steichen :: In Memoriam, photogravure. Published in Camera Work Special Supplement (Steichen Supplement), 1906. | src Heidelberg University and Universität Zürich
Eduard Jean Steichen :: In Memoriam, photogravure. Published in Camera Work Special Supplement (Steichen Supplement), 1906. | src Heidelberg University and Universität Zürich
Eduard Jean Steichen :: Profile, half tone reproduction. Published in Camera Work Special Supplement (Steichen Supplement), 1906. | src Heidelberg University and Universität Zürich
Henry J. Malby* (active 1893-1910) :: Glaxinia Flowers, 1906. Vintage circular carbon print. (*) H.J. Malby co-founded the Woodford & Wanstead Photographic Society in October 1893. His family ran a photography business specialised in capturing images for the Royal Horticultural Society.| src Dominic Winter Auctioneers
Unknown photographer. Two men on top of Eagle Bluff in Eagle, Alaska. One man identified as C.L. Andrews stands with his head covered by a camera cloth (camera mounted on a tripod), 1900-1910. | src | src C. L. Andrews photographs, 1880s-1948 ~ University of Oregon ~ Oregon Digital Libraries
Baron Adolf de Meyer ::Water Lilies, ca. 1906. Platinum print, printed 1912. «The critic Charles H. Caffin described this photograph by de Meyer as “a veritable dream of loveliness.” It is one of several floral still lifes de Meyer made in London around 1906–9, when he was in close contact with Alvin Langdon Coburn, a fellow photographer and member of the Linked Ring. Both men were inspired by the Belgian writer Maurice Maeterlinck’s 1906 book The Intelligence of Flowers, a mystical musing on the vitality of plant life. De Meyer exhibited several of his flower studies, including this platinum print, at Stieglitz’s influential Photo-Secession galleries in New York in 1909. The image also appeared as a photogravure in an issue of Stieglitz’s art and photography journal Camera Work.» [Camera Work, issue nº 24, 1908] src The Metropolitan Museum of Art, Alfred Stieglitz Collection