Emile Joachim Constant Puyo :: Junge Frau am Seerosenteich, vor 1902. Heliogravüre. Druckerei / Drucker/in: Meisenbach, Riffarth & Co. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Die Abhängigkeit. Original Holzschnitt von Leopold Forstner. Vereinigung Bildender Künstler Österreichs Secession, 1903, Heft 19. | The Slavery. Original woodcut by Leopold Forstner. Association of Visual Artists. Austria Secession, 1903, issue 19. | src Universitätsbibliothek Heidelberg
Alphonse Mucha :: Femme à la marguerite, 1899-1900. 3 tissus imprimés: impression au cylindre sur velours de coton, polychrome. | src Bibliothèque Forney
The Globe Fish, inflated. Nº 4 – “Who’s afraid? Let’em all come!” From In Nature’s Workshop (1901). Grant Allen and Frederick Enock. | src internet archive
Illustration nº 2 – A sea hedgehog, the globe-fish, swimming freely. From In Nature’s Workshop (1901). Grant Allen and Frederick Enock. | src internet archive
Illustration nº 3 – The globe-fish, inflated, when danger threatens. From In Nature’s Workshop (1901). Grant Allen and Frederick Enock. | src internet archive
Alphonse Mucha :: Nymphette on a Rock, from Documents Decoratifs par A.M.Mucha published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum
R. Anning Bell :: Liverpool Art School. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Alphonse Mucha :: Nymph in front of a Daffodil frieze, from Documents Decoratifs par A.M.Mucha and published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum
John Cecil Clay :: Dramatic Mirror Cover, December 1907. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive