
Painter Louise Catherine Breslau (1857-1926), born Maria Luise Katharina Breslau with her dogs, Paris, 1912
images that haunt us

Painter Louise Catherine Breslau (1857-1926), born Maria Luise Katharina Breslau with her dogs, Paris, 1912


The Beaumont Ball in Paris 1924 (an event with a guest list so selective that Gabrielle Coco Chanel was excluded for being too ‘trade’), was a homage to Pablo Picasso and the Cubists. The dress made entirely from wires and lights, it was too wide for the entrance to Beaumont’s ballroom: the artist Christian Bérard, who witnessed Marchesa Luisa Casati attempting to squeeze through the doorway, reported that she collapsed like a “smashed zeppelin”. (x)
De Beaumont’s fêtes reached an apex in 1924 with the ballet series Soirées de Paris, which took place at the Théâtre de la Cigale in Montmartre from May 17 to June 30, 1924. An homage to the review of the same name by Guillaume Apollinaire, the series included the scandalous ballet Mercure, which featured music composed by Erik Satie, sets and costumes designed by Pablo Picasso, and choreography devised by Léonide Massine. (x)
src lamarchesacasati

Painter Louise Catherine Breslau (1857-1926), born Maria Luise Katharina Breslau
in her studio in 1912. (by Agence Rol) / source: wikimedia

Atelier Manassé ::
Gerdago (1906-2004) aka Gerda Gottstein, Gerda Gottschlich, Gerda Irro, and Gerda Iro.
Born Gerda Gottstein in Vienna, she pursued art studies, first in Berlin in 1927, and then Paris in 1928-1929, where she worked as assistant to architect and stage and film designer Oskar Strnad. / src: mote-historie
more [+] by Atelier Manassé (founded by Olga Spolarics and Adorja’n von Wlassics)

Dana Gluckstein :: Chanter with Tears, Hawaii, 1996 / src: amici della fotografia

Horst P. Horst ::
Dancers Jack Holland and June Hart dancing, Vanity Fair, 1935. In the 1930s, dance team Jack Holland and June Hart appeared in clubs around Manhattan as well as in the films Dance Band (1935), Vincent Lopez and His Orchestra (1936) and Rubinoff and His Violin (1939). / src:
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“I never thought tomorrow would bring anything new”. Ore wa matteru ze | I Am Waiting (Koreyoshi Kurahara, 1957)