Mady Christians in Königin Luise, 1928

Austrian-born actress Mady Christians as Louise, Queen of Prussia in Königin Luise (Karl Grune, 1928). German postcard. Ross Verlag, nº. 89/1. Terra Film. | src Flickr

Ellen Terry as Juliet, 1882

Ellen Terry as Juliet in 'Romeo and Juliet' by Window & Grove. Platinum print, 1882, published 1906. | src NPG
Ellen Terry as Juliet in ‘Romeo and Juliet’ by Window & Grove. Platinum print, 1882, published 1906. | src NPG
Ellen Terry as Juliet in 'Romeo and Juliet' by Window & Grove, albumen print, 1882. | src NPG · Terence Pepper Collection
Ellen Terry as Juliet in ‘Romeo and Juliet’ by Window & Grove, albumen print, 1882. | src NPG · Terence Pepper Collection
Ellen Terry as Juliet in Romeo and Juliet at the Lyceum Theatre  by Window & Grove,  1882. Carte de visite. | V&A Museum
Ellen Terry as Juliet in Romeo and Juliet at the Lyceum Theatre by Window & Grove, 1882. Carte de visite. | V&A Museum

Maude Adams, ca. 1895

Sarony Studio ~ American stage actress Maude Ewing Adams Kiskadden, real photo postcard from about 1895 | src Flickr

Maude Adams achieved her greatest success as the character Peter Pan, first playing the role in the 1905 Broadway production of Peter Pan or The Boy Who Wouldn’t Grow Up (James Matthew Barrie)

Maude Adams as Peter Pan Rotograph series B 1443. Photographer not credited | src Flickr

(Theodocia) Rosina Vokes, 1870s

(Theodocia) Rosina Vokes by and published by Gurney & Son, albumen stereoscopic card 1870s. | src NPG Terence Pepper Collection
(Theodocia) Rosina Vokes by and published by Gurney & Son, albumen stereoscopic card 1870s. | src NPG Terence Pepper Collection

Photographic Study, 1860s

Clementina Maude, Viscountess Hawarden, aka Lady Clementina Hawarden ~ Photographic Study, early 1860s. Albumen silver print from glass negative | src MetMuseum

Clementina Maude, her mother’s preferred model, is seen here in a reflective pose against a star-studded wall. The casual placement of the shawl on the table and the girl’s loose hair contribute to the feeling of intimacy. In the airy room time seems to be suspended. The sensuous curves of the table legs, the soft weight of the crushed velvet, and the crispness of the starry wallpaper are enhanced by the skillful handling of the collodion technique. The composition, devoid of Victorian clutter, brings together light, shadow, and compositional elements in a spare and appealing interplay. In contrast to the prevailing fashion of giving literary or sentimental titles to portraits of young women, Lady Hawarden titled her works simply “Photographic Study”.

Lady Clementina Hawarden aka Viscountess Hawarden ~ Photographic Study, early 1860s (detail) | src MetMuseum

Grock by Otto Umbehr 1928-29

Umbo (Otto Umbehr) ~ Grock, aus der Serie / from the Series ‘Grock’, 1928–1929 | src Galerie Rudolf Kicken
Umbo (Otto Umbehr) ~ Untitled | Ohne Titel (Grock), 1928-29 | src l’œil de la photographie ~ ODLP
Umbo (Otto Umbehr) ~ Grock (14), aus der Serie / from the Series ‘Grock’, 1928–1929 | src Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Ohne Titel (Grock), aus der Serie / from the Series ‘Grock’, 1928–1929 | src Berlinische Galerie
Umbo (Otto Umbehr) ~ Grock (3), aus der Serie / from the Series ‘Grock’, 1928–1929 | src Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Grock (2), aus der Serie / from the Series ‘Grock’, 1928–1929 | src Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Ohne Titel; aus der Serie / from the Series ‘Grock’, 1928–1929 | src Galerie Kicken Berlin

Ruth Landshoff von Umbo

Umbo (Otto Umbehr) ~ Ruth Landshoff / Ruth Landshoff-Yorck (b. Ruth Levy), 1927 | src Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Untitled (Ruth. Sonne / Ruth. Sun), 1927 | src Galerie Rudolf Kicken Berlin
Umbo (Otto Umbehr) ~ Ruth mit Maske / Ruth with Mask, aus dem Portfolio / from the portfolio ‘UMBO’, 1927 | src l’œil de la photographie ODLP & Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Untitled (Ruth. Der Hut / Ruth. The Hat), 1927 | src Galerie Rudolf Kicken Berlin

The Black Hand, 1930s

Atelier Manassé :: Die schwarze Hand, ca. 1930. Silbergelatineabzug, Fotomuseum WestLicht, Wien. | The black hand, ca. 1930. Gelatin silver print, WestLicht Photo Museum, Vienna|src Bild-Akademie