
Alfred Eisenstaedt ::
Zeppelin at Night. 1930′s, printed later. Gelatin silver print./ source
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images that haunt us

Emocratic Republic / source: Azlan MAM08 on Flickr / via paraisoinhabitado

André Kertész :: Calder with Eucalyptus, 1940. (Image © Ministère de la Culture / Médiathèque de Patrimoine, Dist. RMN-Grand Palais)
“He didn’t see an eucalyptus tree and those long beautiful leaves and think, ‘I want to interpret that in a sculpture.’ He made a sculpture, and he looked at it, and he saw that it looked kind of like eucalyptus leaves” – Sandy Rower
Although often evocative, Calder’s titles are not guides for interpretation. The artist named his abstract sculptures after they were created simply as a means to identify or differentiate. “I give names to the things I’m working on just like license plates,” Calder once said. © 2017 Calder Foundation, New York / Artists Rights Society [ARS], New York)
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All but Death, Can be Adjusted [Emily Dickinson]
Roberto de Mitri / via tunguska-rdm
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LensCulture /// ArtLimited /// ND Magazine

David ‘Chim’ Seymour :: Paris, 1947. Gelatin silver print. / src: Howard Greenberg Gallery
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Louis Stettner :: Boy Reading Comics, Paris, ca. 1952 / src: Howard Greenberg
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Ruth
Bernhard :: Two Forms,
1963, printed later. Gelatin silver print.
/ src: new-live-auctioneers
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