Double exposure, beach scene, no date / src: imperfekt photography (Jochen Raiss)
Author: un regard oblique
we do not own these photographs (unless indicated otherwise), we just share images that somehow haunt us.
Please, if you share them do not remove credits or/and sources.
Heinrich Kühn :: Impressionist photographs, circa 1900′s-1910′s.
Kühn with Franz Staeble developed a new lens known as Kuhn Anachromat, which from 1928 to 1990 was issued under the name of Rodenstock lenses Imagon. The aim was to produce a soft scattering pattern, with the effect of artistic blur, similar in style to the paintings of the Impressionists. / src: franz.blogspot.com
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This delightful Golden Age of Hollywood art-deco portrait captures Marion Davies in a carefree and casual style, riding a bicycle best described on press snipe: “A bicycle built for two, Marion Davies and Lawrence Gray pedal an old tandem in ‘The Gay ‘90′s’ in which she is starred by Metro-Goldwyn-Mayer under Harry Beaumont’s direction.” The film would be re-titled “The Floradora Girl” (1930) before its release. / source: Grapefruit Moon Gallery on eBay
Henri Cartier-Bresson :: Preston Ave, Houston, Texas, 1957 / src: dutzervonmezzenbrau
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Minor White ::
Lyrical study of the dancer John George. Silver contact print, with White’s notation “this is my favorite”, as well as a numeric notation, in ink, on verso, 1950′s
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