
Barbara Wolff :: Zyklus / Cycle. München Viktualienmarkt, Fasching, 1988 / src: photography-in.berlin
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images that haunt us

Barbara Wolff :: Zyklus / Cycle. München Viktualienmarkt, Fasching, 1988 / src: photography-in.berlin
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The photography of Kira Sugiyama / via gacougnol
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Herbert List :: Baumwall Kehrwiederbrücke, Hamburg, Germany, 1966 / via
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La masturbación es una antología sexual, una selección de los mejores coitos (…) es económica porque no hay que invitar a comer a nadie, ni aguantar a los parientes de nadie, ni entender a nadie, ni compartir la cama con nadie, ni andar prometiendo pendejadas a nadie, la masturbación es una declaración silvestre de independencia.
Facundo CabralFot. Isa Marcelli

The image shows a woman in full length, wearing a long dress and standing at a table in profile against a blank pale wall, holding the edges of a print which is resting on the table. Bright light from a window in the top left of the photograph lights the front of the woman and the tabletop.
This is an example of the bromoil process invented around 1907, in which a bleached image is re-developed with pigment applied with brushes. ‘Pictorialist’ photographers favoured its broad tonal effects and diffuse detail. The print being ‘admired’ in the image is likely to have been a finely crafted photograph much like this one. [Gallery 100, ‘History of photography’, 2012-2013]
quoted from V&A Museum

Kira Sugiyama :: In the Water
(Nude)
– Photogravure / src: Live Auctioneers
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Kira
Sugiyama :: Nude laying on Snow, 1954. Sheet fed Copper plate Gravure printed in Germany by Braun & Cie / src: liveauctioneers.com

Voula Th. Papaioannou :: The armchair where Kostis Palamas used to sit. Athens, 1943
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