Ballet dancer Serge Oukrainsky

James Wallace Pondelicek :: "Serge Oukrainsky in Algerian Dance (Grieg). The only barefoot toe dancer and greatest Oriental dancer of the Chicago Opera and head of the Pavley-Oukrainsky Ballet" (title devised from caption on photograph's verso). | Worthpoint
James Wallace Pondelicek :: "Serge Oukrainsky in Algerian Dance (Grieg). The only barefoot toe dancer and greatest Oriental dancer of the Chicago Opera and head of the Pavley-Oukrainsky Ballet" (title devised from caption on photograph's verso). | Worthpoint
James Wallace Pondelicek :: “Serge Oukrainsky in Algerian Dance (Grieg). The only barefoot toe dancer and greatest Oriental dancer of the Chicago Opera and head of the Pavley-Oukrainsky Ballet” (title devised from caption on photograph’s verso). | Worthpoint

Pictorial portrait by Weston

Edward Henry Weston (1886 - 1958) :: [Woman in Asian Costume], 1917 | The J. Paul Getty Museum Collection
Edward Henry Weston (1886 - 1958) :: [Woman in Asian Costume], 1917 | The J. Paul Getty Museum Collection
Edward Henry Weston (1886 – 1958) :: Woman in Asian Costume, 1917 | The J. Paul Getty Museum Collection

Portrait by Eva Watson-Schütze

Eva Watson-Schütze :: Young Woman, ca. 1902. Platinum print. | src Eastman Museum

Seeley’s tree silhouettes, ca. 1917

George H. Seeley :: Silhouettes of trees before a lake, ca. 1917. Platinum print. Lee Gallery. | src Luminous Lint LL/24559
George H. Seeley :: Three tree silhouettes, ca. 1917. Platinum print. Courtesy Lee Gallery. | src Luminous Lint LL/24558
George H. Seeley :: Three tree silhouettes, ca. 1917. Platinum print. Courtesy Lee Gallery. | src Luminous Lint LL/24558
George H. Seeley :: Silhouettes of trees before a lake, ca. 1917. Platinum print. Lee Gallery. | src Luminous Lint LL/24559
George H. Seeley :: Silhouettes of trees before a lake, ca. 1917. Platinum print. Lee Gallery. | src Luminous Lint LL/24559

Edna St. Vincent Millay, 1914 (I)

Arnold Genthe :: Edna St. Vincent Millay at Mitchell Kennerley's house in Mamaroneck, New York, 1914. Autochrome. | Library of Congress
Arnold Genthe :: Edna St. Vincent Millay at Mitchell Kennerley’s house in Mamaroneck, New York, 1914. Autochrome. | Library of Congress
Arnold Genthe :: Portrait photograph of Edna St. Vincent Millay, 1914. Digital file from original lantern slide. | Library of Congress
Arnold Genthe :: Portrait photograph of Edna St. Vincent Millay, 1914. Digital file from original lantern slide. | Library of Congress
Arnold Genthe :: Edna St. Vincent Millay, portrait photograph, 1914. Glass negative. | Library of Congress
Arnold Genthe :: Edna St. Vincent Millay, portrait photograph, 1914. Glass negative. | Library of Congress

Girl among hollyhocks, ca. 1910

Eva Watson-Schütze :: [Portrait of an unknown woman among hollyhocks], ca. 1910. [detail] | src Rijksmuseum
Eva Watson-Schütze :: [Portrait of an unknown woman among hollyhocks], ca. 1910. [detail] | src Rijksmuseum
Eva Watson-Schütze :: Portret van een onbekend meisje tussen bloemen [Unknown woman among hollyhocks], ca. 1910. Gelatin silver print on baryta paper. [Public domain] | src Rijksmuseum
Eva Watson-Schütze :: Portret van een onbekend meisje tussen bloemen [Portrait of an unknown woman among hollyhocks], ca. 1910. Gelatin silver print on baryta paper. [Public domain] | src Rijksmuseum

Portrait study by J. Craig Annan

J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie", 1908
J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie”, 1908
J. Craig Annan (Glasgow) :: Study. Autotypie. From: „Die Kunst in der Photographie", 1908
J. Craig Annan (Glasgow) :: Portrait study. Autotypie. From: „Die Kunst in der Photographie”, 1908

Idol by Waldemar Eide

Waldemar Eide :: "Idol". Portrett av ukjent kvinne. Eksempel på norsk piktoralisme og symbolisme. Bildet har preget forsiden av magasinet Hvar 8 dag i mars 1924 | Norsk Folkemuseum
Waldemar Eide :: "Idol". Portrait of unknown woman. Example of Norwegian pictorialism and symbolism. The image graced the cover of the magazine Hvar 8 dag in March 1924 | Digitalt museum
Waldemar Eide :: “Idol”. Portrett av ukjent kvinne. Eksempel på norsk piktoralisme og symbolisme. Bildet har preget forsiden av magasinet Hvar 8 dag i mars 1924 | Norsk Folkemuseum
Waldemar Eide :: “Idol”. Portrait of unknown woman. Example of Norwegian pictorialism and symbolism. The image graced the cover of the magazine Hvar 8 dag in March 1924 | Digitalt museum